Walls, Warts and Reflecting on Nimrod.

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Did you ever darn a sock? It’s slow-motion weaving, now consigned to history by technology and indestructible artificial fibres. There was a big cowrie shell at home, that my mother used, to get around the corners of socks. There was history in that cowrie shell. Some seafaring ancestor brought it back from his travels. You could hear the South Seas and waves breaking over the reefs of distant coral islands when you put the cowrie to your ear. Inside the reef  in all the stories, lay a lagoon, a place of calm and safety. The sharks stayed outside, in the fathomless depths of the dark waters beyond the reef. I could still darn a sock should the need arise but modern fabrics have made my skill redundant. There was great comfort in a well darned sock. I knew a man who didn’t become a hero by diving into the harbour to rescue a dog, because, as he admitted shamefacedly, he had a hole in his sock. His friend did the noble deed while he stood by, encumbering the hero with unnecessary advice. On such small things fame can hang.

This piece of wall is known as The Bay Wall. Various explanations are offered for the name, but the most likely is that the bay encompassed the town when high tide flooded the low-lying fields on the periphery. There was comfort in a good wall.  On inspection you can see that the lower part is built from uncut stone and sea cobbles. It has been darned over the centuries but the cracks return, under the weight of the years. Most of the wall has disappeared but here and there, you can see short stretches that have survived development and modernisation. Alice |McGuinness lived in a little house set into The Bay Wall.

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At the base you can see where people gathered sea-rolled cobbles and broken rock from the foreshore. They worked together, building a sense of security, safeguarding their common future. The wall has been breached over time, to allow access to gardens won from the sand and  tidal marsh. (Click images to enlarge.)

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At Holmpatrick the shadow of the original wall is visible, the work of a generation long gone. The top half is much more respectable but the lower half holds the massive rocks that speak of struggle and the work of bare hands. It has withstood the tide and easterly gales for centuries. It wears its crown of ivy with a certain panache. We have an affinity with this wall through the calcium in the bones that hold us upright.

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Cromwell, the first republican in Ireland, specialised in knocking down walls. He made a right haimes of Baldungan Castle. The remains have been darned together with cement. His cavalrymen smashed the windows in Canice’s cathedral. They depicted it seems, idolatrous images. Gunpowder and high explosives are now the tools of those who see only a bright future of their own devising. A former Minister for Local Government applauded the decay of Georgian Dublin and the great houses of  Ireland….’everything I hate about our history.’ Chairman Mao’s cultural revolution directed its venom against anything old—including old people. The Taliban destroyed ancient statues. The new Puritans, the fundamentalists, are bulldozing the ancient palaces of Nimrod and smashing their own history with sledgehammers. They are smashing everyone’s history. They post images!! Will there be a bright new future when all the old stuff has been destroyed? Every aspiring politician parrots the mantra of Change. Progress.  ‘A time to break down and a time to build…a time to love and a time to hate…a time to throw stones and a time to gather them together.’ It’s the stone throwing that worries me….and the hate.

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A friend told me how her father used to remove warts with a compound that burned off cows’ horns. If you missed, it went some way to burning off the whole hand. I decided against it. I took two of our children to see Alice McGuinness. They had developed little warts beside their eyes, no place for cow-horn remover. Alice was old and gentle. She explained that she cured warts even by post. She had treated horses for a man in Australia. All she needed was a diagram: ” They have to know exactly where the warts are.”  I didn’t ask who They were. The children listened, wide-eyed. “Is Alice a witch?” they asked afterwards. The warts disappeared and never came back. Cromwell might have done better to consult Alice about his excrescence, instead of having it immortalised by the artist, Samuel Cooper. He didn’t like the portrait at first but it grew on him. (Sorry. Couldn’t resist it.) In reality he and his dismal Puritans would more likely have burned her for being old and for knowing something they didn’t understand.

There is a bit of new wall cobbled on, where Alice’s house once stood. It’s a bit of an excrescence. It will take a few centuries for it to mellow.

By that time maybe we will have a Walmart on the site. Wide selection of socks. The march of progress.

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